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Golden Jubilee - 2 Appearances By The Queen


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Chiragh I Rawshan †An Ismaili Tradition In Central Asia by Ibrahim

It appears in the Northern Area of Pakistan that a white cloth is spread on the ground and a lamp (chiragh) is burned in the middle. No other light is allowed to be kept or used as long as this lamp remains burning. The Koranic verses and other religious formula are recited while preparing the wicks of the lamp and inserting the oil made of the fat of sacrificial animal. With loud chanting of salwat, the qadi stands in front of the khalifa (headman) and places the lamp down again three times. It exhorts the Oneness of Divine Light in the universe, but has three relations: the relation to God, the Prophet and the Imam of the age. When the lamp is kindled, the believers deduce that the Imam is the bearer of the living Light of God on earth. It is also known from the rites of Afghanistan and other regions of Central Asia that a piece of salt is put into the pan of the grained wheat (dalda), in which a knife is kept. Then, a certain amount of cotton is put into a pot. Someone picks up the pan in recitation of the salwat and presents to the khalifa. The participants stand up in reverence and the khalifa raises his hands and invokes a prayer of twenty-seven verses. The proceeding is followed by the sacrifice of a sheep, which is called dawati. It should not be lean or skinny. It should be fatty, so that the lamp may be burned from the oil of its fat, called rogan-e-zard. The sheep is thoroughly washed. Then, the khalifa picks up the piece of salt with his left hand and smashes into small pieces with the knife holding in his right hand. He relieves the knife and takes salts and three pieces from the grained wheat and puts on the palm of his right hand, mixing them and passes on to his assistant, who gets the sheep to eat the mixture. The khalifa utters the takbir and his assistant facing towards the qibla, slaughters the sheep. It follows the rite of cotton-making (kar pakhta). The khalifa picks up the cotton and gets it touched to his forehead and prepares a long wick (fatila) for the lamp amidst the chanting of the verses of Chirag-nama. This long wick is folded and the khalifa holds its circle in his finger, who cuts it into respectable pieces. Then, the ghee (rogan-e-zard) is poured into a bowl (chinni). The khalifa puts some ghee in the lamp (kandil), then he drenches all the wicks in the bowl. His assistant takes out the wicks and squeezes to make them ready for burning. Then, the wick is inserted in the lamp and lightened. It is placed in the lantern, which is usually made of a special stone (sang-i sanglej), looking like a ship. The lamp is gray in colour.

A.E. Bertels writes in Nasir-i- Khosrove-i Ismailizm (Moscow, 1959) that it originated in Badakhshan, whose inhabitants were the fire-worshippers and brought it in the Ismaili fold, which seems absolutely incorrect. The oral tradition attributes its introduction by Nasir Khusrao (d. 481/1088) during operation of his proselytizing mission in Badakhshan, but it also cannot be ascertained. Nasir Khusrao used to arrange the assemblies (majalis) in the villages, known as majalis-i dawat. It is however gleaned from different views that the majalis-i dawat later took the present form of majalis-i chiragh-i rawshan.

The word chiragh, dipak, kandil, fanus, siraj or misbah are common terms for the lamp. In Greek, it is called lampas (torch), in German lampein (to shine), in Roman liex or luc (light) and in French lampe or lampas. The lamp was invented in Stone Age about 70,000 B.C., which was a hollow-out rock filled with fat. It was followed by an invention of a pottery lamp, in which oil was burned in Mediterrean regions. Example from about 2000 B.C. have come from Greek rock tombs in Palestine. Sometimes shaped as bird or fish, and it spread in Iran, Africa, Asia and Rome. No lamp was prevalent in Greece till 7th century B.C. The oldest lamp is a shallow stone basin discovered from French Paleotilic. The Hebrew word lappidh also means lamp, and its description is found in the Old Testament: â€God commanded that a lamp filled with the purest oil of olives should always burn in Tabernacle of the Testimony without the veil†(Exod. 27:20). The Arabic word misbah (pl. masabih) means lamp, occurring three times in the Koran, once in singular (24:35) and twice in plural (41:12, 67:5). Another word for the lamp is siraj (pl. surujun), occurring four times in the Koran (25:61, 33:46, 71:16 and 78:13). The light of the Prophet is also compared to a luminous lamp (siraj’i munir) in the Koran (33:46). It infers from the Diwan (Cairo, 1933, 1:44) of Ibn Hani (d. 362/973) that each Fatimid Imam was considered to be an emanation of the Divine Light, and numerous epithets described his brilliance and luminousness: al-agharr, al-azhar, al-mutalliq, al-mutadaffiq, al-mutaballij or al-wadda. As the construction of Cairo continued, new mosques would come to be known by names evoking this special quality associated with the Imam: al-Azhar, al-Anwar or al-Aqmar.

After the migration of the Prophet in Medina, the first thing to be done was to build a cathedral mosque. It was constructed on a plot, measuring 54 yards width and 60 yards in length, known as the Prophet’s Mosque (Masjid-i-Nawi). It is said that the palm-leaves (sa’af al-nakhl) were burnt for lightening the interior of the mosque. Qurtubi (d. 671/1272) writes in al-Ta’rif fil Ansab (Cairo, 1987, p. 252) that a Syrian merchant, called Tamim al-Dhari (d. 40/660) brought a lamp (kandil) with oil and wick from his native Syria to Medina and donated for the mosque. His lightening of a lamp in the mosque was an important social event, which was not only approved but also recommended by the Prophet who, gave him a nickname of Siraj (lamp). Thus, the use of lamps at night in mosque became a universal practice among Muslims. The Prophet is said to have permitted a woman, Maymuna to send oil in Jerusalem sanctuary (bayt al-muqadis) in order to light the lamps (Abu Daud, 1:48).

It was a custom of Ali bin Abu Talib to cause his friends to meet him in his house in Kufa and lit a lamp in their midst. Nasir Khusaro reported in his Safarnama (tr. W.M. Thackston, New York, 1986, pp. 55-58) a widespread use of lamps, made of brass and silver in the holy places of Hebron, Bethlehem and Jerusalem. He further noted that the lamp oil, called zayt harr was derived from turnip seed and radish seed. He also wrote that in the mosque of Cairo, there was a huge silver lampholder or chandelier with sixteen branches, each of which was 1 cubits long. Its circumference was 24 cubits, and it could hold as many as seven hundred odd lamps on holiday evenings. The weight is said to be 25 kantars of silver, a kantar being 100 rotls, a rotl being 144 silver dhirams. More than a hundred lamps were kindled in the mosque of Cairo every night. On the north side of the mosque was a bazar Suq al-Kandil (lamp market).

When Imam Muhammad al-Bakir died in 114/733, his son Imam Jafar Sadik ordered to lit a lamp in the house (al-Kafi, 3: 25). The tradition also indicates that a lamp was also kindled in the house when Imam Jafar Sadik died in 148/765. It is probable that the adherents would have started the practice in their regions.

It is yet indeterminable point, how and when this obscure rite entered into the Ismaili tradition?

In India, the three centuries of Muslim rule (603-933/1206-1526), generally known as the Sultanate period, witnessed the rise and fall of five dynasties: the Slave (603-690/1206-1290), the Khaljis (690-720/1290-1320), the Tughlaqs (720-816/1320-1413), the Sayeds (816-855/1414-1451) and the Lodis (855-933/1451-1526). Then, the Mughal empire was founded in 933/1526. Qutbuddin Aibak (d. 607/1210) was the first Turkish king of the Slave dynasty in India, whose armies had evolved and developed in Persian lands, and consequently the Pesian stamp was very deep upon them. The armies were modelled on the armies of the Persia with the same arms, equipment and tactics. The slaves of the imperial household maintained the Persian tradition in Delhi. These Turks, in their social life also followed the Persian customs, etiquettes and ceremonials. The old Persian customs of zamindos (ground kissing) was also introduced. India specially provided benign climate to the festival of Shab-i Barat, which was festivated for four days.

Shab-i Barat (night of quittancy) is a popular fete among the general Muslims, which takes place on the 14th of the month of Sha’ban. Its native land is Iran, and the Slave dynasty brought and spread it in Indian soil, where the people very rapidly found it coherence in their own tradition. On this day, the people assemble and make offerings of bread, sweet rice, halwa and flasks of water and offer prayers and intercessions for the departed souls. According to Muslim Festivals in India (Paris, 1831, tr. W. Waseem, New Delhi, 1995, pp. 76-77) that the people kindle lamp (chiragh) and recite the following prayer, known as the Fatiha Chiraghan:

â€O God, through the merit of the light of the apostolate, our Lord Muhammad, may the lamp that we burn on this holy night, be for the dead a guarantee of the eternal light which we pray to you for. O God of ours! Deign to admit them in the room of unchanging felicityâ€

Having expressed the above intention, they recite the first and the 102nd chapters of the Koran. This ceremony lasts for three days. There was a popular custom also to send lamps to the mosque, vide I’jaz-i Khusaro (Lucknow, 1876, 4:324) by Amir Khusaro (d. 820/1325).

The festival of Shab-i Barat fostered and dressed in Iran, and then introduced in Afghanistan and India also under the name of Fatiha Chiraghan during the 12th century, and it is possible that the Ismailis of Afghanistan had certain proctivity towards it. Thanks to an oral tradition in this context shrouded in mist for centuries in Tajikistan, which is a key to solve the complications hitherto remained unsolved. The tradition has it that an Ismaili, called Taj Mughal (d. 725/1325) of Badakhshan was deadly against the festival of Shab-i Barat. Instead, he transformed the local traditional assembly, called majalis-i dawat into a specific rite in the house, where a death took place. In the midst, a lamp was kindled and the Koranic verses and the qasida of Nasir Khusaro were recited. This was an original form of the presently known ceremony of chiragh-i rawshan. The selected qasida were reserved for it, whose collection later became known as the Chirag-nama, which is traditional more and historical less. We should however not ignore that the thought of majalis-i dawat was originally propounded by Nasir Khusaro about two hundred years before the advent of Taj Mughal.

Taj Mughal was an origin of Badakhshan, where he had given shelter to Shah Ra’is Khan of Trakhan dynasty of Gilgit and Hunza. Shah Ra’is Khan embraced Ismailism and married to the daughter of Taj Mughal. After some years he persuaded Taj Mughal to occupy Gilgit. Thus, he mustered a sizable force and conquered Chitral at first, then Yasin, Koh Ghizr and Puniyal were subdued. He entered Gilgit, ruled by Torra Khan (d. 735/1335), who submitted and accepted Ismaili faith. Shah Ra’is Khan became the ruler of Chitral, where he founded the Ra’isia dynasty and promulgated Ismailism. It was at this time that the Ismaili faith penetrated in Gilgit, Hunza and Chitral with the indescribable efforts of Taj Mughal. He is said to have proceeded to Sikiang through Pamir. The historians have described an extensive territory under his domination. On the north greater part of Turkistan, on the west the whole area including the city of Herat, and on the south-east right upto the border of Chitral. It implies that when the rite of chiragh-i rawshan was in its formative stage, Taj Mughal spread it in most parts of the Central Asia. The veracity of this tradition however cannot be substantiated from the extant sources, nevertheless, it cannot be brushed aside as untrue. Whether historically true or not, the above tradition embodies certain grains of truth.

In the course of its evolution, the ceremony was reserved for a long time only for the dead person, and was performed not on the night of 14th Sha’ban. It is also likelihood that the reason for giving it the ceremonial name of chiragh-i rawshan was to distinguish it with the rite of the Shab-i Barat, known as the fatiha chiraghan.

The chiragh-i rawshan was not emanated from Shab-i Barat, but exercised a safeguard against it. Neither the fireworks are conducted, nor the graves are venerated, and also no specific time is fixed for it. Later, it was divided in four different assemblies (majalis), namely dawat-i fana, dawat-i baqa, dawat-i safa and dawat-i raza. The last two majalis are now not prevalent.

Majalis-i dawat-i fana

It almost resembles the practice of the ruhani majalis prevalent in the Indian tradition. When one dies, his family members and relatives assemble in his house for three days, known as the dawat-i fana. His family does not cook food for three days, but only a lamp is kindled. Major J. Biddulph writes in Tribes of the Hindoo Koosh (Karachi, 1977, p. 123) that, â€On the evening of the appointed day, a caliph comes to the house, and food is cooked and offered to him. He eats a mouthful and places a piece of bread in the mouth of the dead man’s heir, after which the rest of the family partake. The lamp is then lighted, from which the ceremony is called â€Chirag Roshan,†and a six-stringed guitar called gherba being produced, singing is kept up for the whole night.â€

The dawat-i fana exhorts that when a believer dies, it is his physical death not spiritual. His soul quits the earthy body and assumes celestial body (jism-i falaki). He was a dark himself on earth, but now he becomes light. The brightness is thus eluded symbolically in the lamp. There is a separation among bodies, but not in the light. There is nothing except union in the light after death. It emanates in another interpretation that the fire denotes ardent love and its light is the knowledge, therefore, unless a believer burns in the fire of love with Imam, the light of knowledge is not sparked in his heart. It will be interesting to note that Missionary Muhammad Murad Ali Juma (1878-1966), known as Bapu died in Bombay on February 4, 1966. In his message of February 14, 1966, the Imam said: â€I grieved greatly the loss of one of my most devoted spiritual children. His services were above reproach and he was a Candle of Light and example to my jamats.†Full Article

Mumtaz Ali Tajddin S. Ali is an Ismaili Scholar, He has written many books on history & culture of Islam and Ismailism, Mumtaz Ali recently published book 101 Ismaili Heroes is very much popular because of its material, must read about Encyclopedia of Ismailism.

Article Source: http://www.earticlesonline.com/Article/Chiragh-I-Rawshan-----An-Ismaili-Tradition-In-Central-Asia/307662

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